Glamorous
biographer Amanda Foreman-and her glamorous subject have
taken London by storm.
Amanda Foreman knew she'd finally shaken
the Duchess's ghost when she stopped dreaming about her.
The 31-year-old historian admits that while researching
and writing her book Georgiana, Duchess of Devonshire (just
out from Random House), she was obsessed with her subject,
who in the late 18th century was the undisputed leader of
fashionable society. Georgiana also was a distant relative
and forerunner of a present-day fashion icon - the late Diana,
Princess of Wales.
On the beat: Foreman photographed in a London
police car.
"When I finished
my book I was so lonely, because she was out of my life," Foreman
recalls. "It took me a year to get over her because
she seemed so real to me."
Georgiana was both a product of her own time and a harbinger
of the future. The daughter of the first Earl Spencer, one
of the richest men in England at the time, she charmed society
with her beauty, wit and intelligence but also scandalized
it with her behavior, which included gambling incessantly,
having affairs with both men and women and wearing outrageous,
three-foot-high hairstyles containing everything from ships
to wooden farm animals.
She also was one of the first members of the aristocracy
to mingle with commoners and solicit their political opinions
perhaps her worst sin of all.
What most fascinated British reviewers of the book, however,
were the parallels between Georgiana and Diana, another member
of the Spencer clan. Even Foreman reluctantly admits the
similarities: both were in a loveless arranged marriage with
an important member of the aristocracy, both had affairs,
both suffered from bulimia and both were major celebrities
of their eras.
"The resemblances are uncanny, but history is filled
with weird uncanniness," says Foreman. "Georgiana
was the prototype of the modern celebrity, and you can see
what celebrity does to a person through her. Everything she
did was public knowledge, and no one else had ever had that
much attention before. Part of her life's struggle was getting
her feet back to earth and remembering what it was like to
be ordinary."
Foreman's biography caused an immediate stir in London when
it was published there last year, both because of its quality
(it won the prestigious Whitbread Biography of the Year Award)
and its writer. After all, there aren't that many young,
blonde, glamorous historians who'll pose naked (discreetly
covered by books) for a British fashion magazine. When The
Sunday Times of London listed the 20 most influential
people in the British arts, Foreman came in at number 12 "right
behind Robbie Williams but ahead of John Galliano!" she
says.
Foreman, a London native, is the daughter of the late Carl
Foreman, the American who wrote the scripts for such films
as High Noon and The Bridge On the
River Kwai.He fled to England after he was blacklisted
during the McCarthy era and died when his daughter was 16.
Her conversation is still peppered with references to her
late father, who, she says, would have been immensely proud
and surprised by her success. Foreman admits she was a horrible
student when she was a teenager and failed for two years
straight to get into a British university. She then applied
to 26 American colleges, all of which turned her down. Finally
she got into Sarah Lawrence, where she thrived studying Wittgenstein
and the German idealists. After graduation she moved on to
study history at Oxford. Her thesis topic: Georgiana, Duchess
of Devonshire.
Foreman is now researching her second book, which is about
the British soldiers who fought in the American Civil War.
So she'll be living in the U.S. for the foreseeable future,
buried deep in naval and military archives. It helps that
her fiancé, an English banker, has been transferred
to New York.
"We're getting married this year," Foreman says
excitedly. "I knew I wouldn't be able to have a proper
relationship with anyone until I'd finished with Georgiana.
Sure enough, four months after I finished the book, there
he was."
JAMES FALLON
Foreman posed naked (discreetly covered
by books) for a British fashion magazine.
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